Entries Tagged 'Music and lyrics' ↓

Concert in Pierceton

Hey there! Long time no see. But I wanted everyone to know that I’ll be at the Blue Lion Coffee House in Pierceton, Ind., on Saturday, March 20.

I don’t know what time I’ll be performing yet, but once I get the details nailed down, I’ll post ‘em!

Update: I’ll start at 8 p.m. and play for maybe an hour. Hope to see you there!

“Christmastime Is Here”

Go over to Hannah Bushong’s MySpace page to hear a ni-i-ice version of “Christmastime Is Here” with Hannah on vocals, myself on piano and Tim Bushong, the showoff, playing every other instrument you hear.

Very well done arrangement!

Preorder “Daylight” (and more!)

If you’re here after seeing my concert at Buck Lake Ranch: Welcome! Let me tell you what’s going on:

  • Download a couple of free songs on my Free! page.
  • Listen to some songs from my instrumental album, “Wordlessly,” on the store page. You can also find out how to purchase a CD or find it on iTunes.
  • Preorder my new album, “Daylight,” which will be released later this year, also on the store page.
  • Look for me on Twitter or on Facebook. Links are near the bottom of the sidebar.
  • And then be sure to sign up for updates, either by RSS or email. Look for the Get Automatic Updates headline at the top of the sidebar.

I hope to add more shows and more songs later this year. Thanks!

Concert in Angola July 25

Another concert in the Angola area! This time, I’ll be playing at Buck Lake Ranch on Saturday, July 25, at 7 p.m.

Be assured I’ll be there, even though you can’t find me on the Web site. I called. It’s a sure thing.

The concert is actually a ministry of Country Road Lighthouse Ministries, and yep, there I am on its Web site. Whew!

In any case, if you’re in the area, or can be, stop by. It seems to be free, although an offering will be taken.

Songs, lyrics from Angola concert

If you’re here looking for lyrics from the songs I sang at Angola UMC, below is the list with links to the lyrics:

Preorder “Daylight” (and other news)

If you’re here after seeing my short concert in Angola: Welcome! Let me tell you what’s going on:

  • Download a couple of free songs on my Free! page.
  • Listen to some songs from my instrumental album, “Wordlessly,” on the store page. You can also find out how to purchase a CD or find it on iTunes.
  • Preorder my new album, “Daylight,” which will be released later this year, also on the store page.
  • Look for me on Twitter or on Facebook. Links are near the bottom of the sidebar.
  • And then be sure to sign up for updates, either by RSS or email. Look for the Get Automatic Updates headline at the top of the sidebar.

I hope to add more shows and more songs later this spring. Thanks!

Short concert Friday night

I didn’t post this earlier, because I think people who are going don’t read this site, and those who do read this site live too far away …

But I’ll be playing a slot at the Praisathon at the Angola (Indiana) UMC on Friday night. If you’re in that area, stop by and give a listen.

Setting an album’s “sonic boundaries”

Welp, it’s time to post an update on my next album, “Daylight,” which I began recording in earnest this week. I’ve already dropped one song, “Kiss the Word,” from the lineup, because it was by far the weakest of the bunch.

But most surprising has been two new songs that I began writing this week for the very purpose of filling what I could call “sonic gaps” on the album.

I’ve always felt the first two or three songs of an album should set “sonic boundaries.” In other words, those first couple of songs should somehow include enough of the variety that follows so that the listener can get a small clue as to the genre of the album.

drowningwithlandinsightMy counter-example for good “sonic boundaries” is the otherwise excellent album “Drowning with Land in Sight” by one of my favorite bands to spring from the early ’80s: the 77s.

The first three songs on “Drowning” are Zeppelin-esque heavy rockers, and in my mind, they set you up for an entire album of Brit-guitar rock.

But then the fourth song takes a sonic left turn into a song heavily influenced by the Beach Boys, and it’s jarring to my ears. It’s a great song, but by this point in the album you don’t expect to go this far afield of what you’ve already heard.

So, for my own album, “Daylight,” I felt I needed a simple piano-vocal opener before getting to the next song, the fast-tempo-with-loud-drums “From Midnight to Daylight.” Thus, the bluesy “This Body of Death” was written for the album’s first slot. “Body of Death” plus “Midnight” pretty much sets up the listener for what kind of music will follow.

I also am writing a new song for the last slot, again a simple piano-vocal song called “When All Is Light.” It’s another song that falls within the album’s themes of light vs. darkness and life vs. death.

So then, here’s the new lineup for the album:

  • This Body of Death
  • From Midnight to Daylight
  • Relentless Love
  • Widow Moon
  • Sunflower
  • Hanging on His Word
  • The Sins of the World
  • Still Beautiful
  • In the Morning
  • Come to Me
  • His Mercy Endures Forever
  • When All Is Light

Thanks, and there will be more updates in a few days.